There are certain performances that define an actor's career, cementing their reputations whilst propelling them to mega-stardom. Just think of Anthony Hopkins in Silence of The Lambs or Diane Keaton in Annie Hall.
For Linda Fiorentino The Last Seduction should have been that breakthrough movie with one critic calling her "the greatest cinematic femme fatale of all time". Yet she - and the film - underperformed at the box office and quickly slumped into obscurity.
Why? Ant Timpson explains to Sunrise.